Today, typing speed competitions are often seen as a game — an intellectual warm-up or a skills test. However, behind this «game» lies the history of serious inventions and social changes. The typewriter became a symbol of a new era and forever changed the history of writing and typing speed: it made it possible to create texts much faster than by hand and immediately in a neat, readable form. As early as the late 19th century, professional typists appeared in offices, whose speed and accuracy seemed astonishing.
The history of typewriters deserves special attention. This seemingly modest technical novelty transformed office work, contributed to the expansion of women’s employment in offices and institutions, and laid the foundation for touch typing, which has not lost its value even in the digital age. Modern keyboards directly inherited the layout of the first machines, and the ability to type quickly has become a universal skill. To understand how this happened, it is worth tracing the development of the technology and the emergence of the phenomenon of typing speed competitions.
History of typewriters
From ancient printing to the typewriter
The first attempts to reproduce texts and images on paper and fabric using printing began in ancient China. This is evidenced by archaeological finds from East Asia dating back to the 3rd century AD. Later artifacts with printed inscriptions and drawings were also discovered in ancient Egypt, over 1600 years old. These include preserved papyri and fabrics with imprints on them.
Speaking of full-fledged printing — not one-off but mass production using stamps and templates — it was invented in China between the 6th and 10th centuries. The earliest surviving printed work is a xylographic copy of the «Diamond Sutra» (金剛般若波羅蜜多經), issued in 868.
For many centuries, printing texts remained the domain of large state and religious organizations. For ordinary people, the process was too expensive and virtually inaccessible. Only in the 18th century were the first steps taken to create individual writing machines — it was at that time that the first patents for such devices appeared.
The first attempts to mechanize writing
The idea of creating a device for typing text arose long before the Industrial Revolution. In 1714, the Englishman Henry Mill obtained a patent for a «machine or method for printing letters one after another». However, the description was too vague, and there is no evidence that the device ever existed in reality.
It was only in the early 19th century that the first truly working models appeared. Around 1808, the Italian inventor Pellegrino Turri created a typewriter for his acquaintance, Countess Carolina Fantoni da Fivizzano, who had lost her sight. The device itself has not survived to this day, but letters written by the countess have. These messages can be considered among the first texts created by a person using a typewriter.
Turri’s example also inspired other enthusiasts. In 1829, William Austin Burt in the USA obtained a patent for a device called the Typographer. Its design resembled a primitive printing press: the operator selected symbols one by one and applied them to the paper using a lever. Although the machine turned out to be slower than handwriting and did not spread, it is considered the first patented typewriter in the USA and an important link in the evolution of technology.
In Europe in the mid-19th century, separate typewriter projects began to appear. For example, the French inventor François Prévost presented his own version of a printing device in the 1830s, while in Britain entrepreneurs experimented with machines for office needs. These models were far from perfect but clearly demonstrated that the idea of mechanizing writing found resonance in different countries.
By the mid-century, the search had truly taken on an international scale. Inventors in Europe and America actively tried to find a working solution, but real commercial success was achieved only in the 1870s. It was then that the Danish pastor Rasmus Malling-Hansen presented his invention — the «writing ball». The machine had an unusual spherical shape: the keys were located on the surface, resembling a pincushion. For its time, it stood out for its speed and the clarity of its printed symbols.
The interest in the novelty was so great that it soon reached well-known intellectuals. The philosopher Friedrich Nietzsche received the «writing ball» as a gift and tried to work on it for some time, but eventually complained about the inconvenience of typing. Despite such difficulties, Malling-Hansen’s model became an important milestone in the history of technology: it is considered the first typewriter to be mass-produced, starting in 1870.
The birth of QWERTY and Sholes’ triumph
A key stage was the invention of the American Christopher Latham Sholes from Milwaukee. Working as a typesetter and journalist, he tried from the mid-1860s to create a convenient typewriter for office use. In 1868, Sholes and his colleagues received a patent for a prototype in which the keys were arranged alphabetically. This scheme turned out to be impractical: when typing quickly, the typebars with letters often collided and jammed. Continuing his experiments, Sholes changed the key arrangement by separating the most frequently used letters to reduce the risk of jamming. This is how the QWERTY layout appeared, named after the first six symbols of the top row.
In 1873, Sholes and his partners signed an agreement with the company E. Remington and Sons, known for producing weapons and sewing machines, which undertook the mass production of typewriters. In 1874, the first model was released on the market, named the Sholes & Glidden Typewriter or Remington No. 1. Its price was 125 dollars — a huge sum for that time, comparable to several thousand dollars in today’s money.
This typewriter printed only in capital letters and had an unusual case decorated with paintings and gilding. Despite its impressive appearance, sales were modest: from 1874 to 1878, about five thousand copies were sold. However, soon the company offered an improved version. In 1878, the Remington No. 2 model was released, in which the Shift key appeared for the first time, allowing users to switch between uppercase and lowercase letters. This solution significantly increased convenience: instead of previous designs with a separate key for each case, users could now use the same key for both forms of the character. As a result, the keyboard became more compact, and typing faster and more efficient.
The QWERTY layout gradually became established as a universal standard, since it was used in Remington’s typewriters and quickly spread among competitors. This simplified training and turned typing into a mass skill. By the 1890s, dozens of companies in the USA and Europe were producing typewriters, but most were forced to adhere to Sholes’ system. In 1893, the largest American manufacturers, including Remington, merged into the Union Typewriter Company and formally established QWERTY as the industry standard.
Spread and social impact
The last quarter of the 19th century became the time of the typewriter’s triumph. If in the 1870s it was used only by individual enthusiasts, by the 1880s a new profession had formed — the typist or stenographer. And soon it acquired a «female face»: thousands of young women mastered typing and found jobs in offices and clerical institutions. According to 1891 data, there were about one hundred thousand typists in the USA, of whom roughly three quarters were women. For the Victorian era, this was a significant shift: a woman engaged in intellectual work was no longer a rarity. The typewriter opened the path to economic independence for them, and for entrepreneurs it provided access to a large number of trained and relatively inexpensive employees.
By 1900, specialized typing schools were already operating in America and Europe, producing certified operators. At the same time, typing speed competitions began to be held, and the fastest typists became true celebrities of their time.
By the beginning of the 20th century, the design of typewriters had acquired its classical form: mechanical devices with typebars that struck the paper through an ink ribbon. The first models typed «blind» — letters were imprinted from below, on the back side of the sheet, and to see the result it was necessary to lift the carriage. In the 1880s–1890s, solutions for «visible writing» appeared. For example, in 1895 the company Underwood presented a model with front strike, where the text was immediately visible to the operator.
By the 1920s, almost all machines had the form familiar to us: a four-row QWERTY keyboard with one or two Shift keys, carriage return, ink ribbon, and a bell at the end of the line. In the 1890s, a standard typewriter cost about 100 dollars — a sum equivalent to several thousand in today’s money. But demand continued to grow, and some models were produced in millions of copies. One of the most successful was the Underwood No. 5, which appeared at the beginning of the 20th century and sold more than two million copies.
Electrification and the transition to computers
The next important step in development occurred in the mid-20th century with the appearance of electric typewriters. In such devices, pressing a key activated an electric motor that imprinted the symbol, reducing operator fatigue and increasing overall speed. The leader in this field was IBM, which had begun development as early as the 1930s. In 1961, it introduced the revolutionary Selectric model. Instead of the usual typebars, it used a replaceable spherical element that rotated and tilted to print the desired character. This design made it possible to quickly change fonts and provided greater smoothness and accuracy of work.
The Selectric quickly conquered the market: in the USA, it accounted for up to 75% of typewriter sales. It became a symbol of offices in the 1960s and 1970s, and over 25 years of production (1961–1986), IBM sold more than 13 million machines of various versions — an outstanding result for office technology.
By the 1980s, the era of classic typewriters was quickly fading into the past. They were replaced by word processors and personal computers, which allowed not only typing but also editing text before printing it on paper. The computer keyboard inherited the operating principle and layout of the typewriter but freed users from many of its limitations: the impossibility of correcting typos, dependence on paper as the only medium, and labor-intensive mechanical maintenance.
The production of traditional machines decreased year by year, and by the beginning of the 21st century it had practically ceased. In 2011, the Indian company Godrej and Boyce, the last major manufacturer of mechanical typewriters, closed its factory in Mumbai. Only a few hundred copies of the last model, Godrej Prima, remained in warehouses, which were sold for about 200 dollars each. This event became the symbolic finale of an entire era: the typewriter gave way to computers and digital text input. However, the very concept of fast and accurate typing was preserved, becoming a universal skill for working with a keyboard.
Interesting facts about typewriters
- The human — typewriter. In the first decades after the invention, the word «typewriter» in English referred not only to the device but also to the person working at it. In newspaper ads of the late 19th century, employers sought «skillful typewriters», meaning qualified typists. Only later did the term «typist» become fixed for people, and the word «typewriter» came to refer exclusively to the machine.
- The first typed books. The American writer Mark Twain was one of the first to use the typewriter in literary practice. His book Life on the Mississippi («Life on the Mississippi», 1883) went down in history as the first work completely typed on a typewriter. Curiously, Twain himself could not type and dictated the text to a secretary, but it was precisely this manuscript that first opened to publishers the world of typed text.
- A sentence with all letters. For learning typing and practicing touch typing, a famous pangram was invented: The quick brown fox jumps over the lazy dog. It is notable for containing all the letters of the English alphabet, and therefore became a classic exercise for training on the keyboard. The first mentions of it date back to the 1880s, and by the early 20th century this phrase was included in all typing textbooks.
- The absence of one and zero. On many old typewriters, there were no keys for the digits «1» and «0». Manufacturers considered them unnecessary: instead of one, the lowercase letter «l» was used, and instead of zero, the capital «O». This simplified the design and reduced production costs. Users quickly adapted, and even in instructions it was recommended to type «1» with a lowercase «l». Only in later models, including the IBM Selectric, did the digits «1» and «0» appear separately.
- Incredible typing records. As early as the 1880s, the first official typing speed competitions began. One of the most famous took place in 1888 in Cincinnati between Frank McGurrin and Louis Traub. The winner was McGurrin, who used the «ten-finger touch typing» method and achieved a speed of 98 words per minute. From that moment, fast typing was perceived not only as a professional skill but also as a form of competition, which produced numerous records in the 20th century. In 1923, Albert Tangora set a record by typing for an hour at an average speed of 147 words per minute on a mechanical machine. The absolute record of the 20th century belongs to the American Stella Pajunas: in 1946 she reached a speed of 216 words per minute on an IBM electric typewriter. By comparison, the average user today types about 40 words per minute. In the computer age, new records appeared on special keyboards and alternative layouts, but Pajunas’ achievement on the standard QWERTY has remained unsurpassed.
- The typewriter and the state. In the Soviet Union, typewriters were under strict control. Fearing samizdat, the authorities introduced mandatory registration of each typewriter with the Ministry of Internal Affairs. At factories, «fingerprints» of all symbols of each unit were taken and stored in archives: each typewriter had its own unique «handwriting», allowing experts to identify the source of a text. It was almost impossible to acquire unregistered machines, and harsh punishments threatened for underground printing. Nevertheless, samizdat existed: enthusiasts illegally brought typewriters from abroad and typed banned books, distributing them in thousands of copies. This became a remarkable page in the history of typewriting.
The typewriter went from being an exotic invention to a ubiquitous office tool, leaving a deep mark on culture and technology. It taught people that text could be created at high speed and that the writing process could be automated. Around typewriters, their own ecosystem formed: methods of learning touch typing, typing speed competitions, literary images — recall, for example, Jack Nicholson typing on a typewriter in the film «The Shining» (1980).
Today, typewriters have become history, but their spirit lives on in every computer keyboard. The skill of fast and accurate typing, which emerged more than a century ago, has not lost its relevance — on the contrary, in the information age it is valued more than ever. Studying the history of typewriters helps us better understand the value of this skill and the intellectual elegance carried by the art of typing. It is no coincidence that touch typing is often compared to playing a musical instrument — accuracy, sense of rhythm, and many hours of practice are all important here.
Typing speed is not only part of history but also a useful skill of the present. By mastering simple typing techniques, one can significantly increase work efficiency. Next, we will examine the basic rules of typing and give advice both for beginners and for those who are already confident in their fast typing skills. Ready to move from theory to practice? Then — to the keyboard!